Tag Archives: creative

Did someone say Paintings?

I’ve been Painting again… I don’t have much to say about them – except, I think I like them.

They’re little Welsh landscapes that sum up my time here since I’ve moved.  I’ve been a lot more content. I’ve been a lot more relaxed.  And I feel like even one percent of the time I’m on my way to proving my potential…the challenges I’m facing are all good ones, adult-making ones.

I forgot what painting felt like, I think it’s quite clear in these that I enjoyed it…at least I hope so, anyway.

🙂

IMG_20160625_212155

Advertisements

Do you see things differently, too?

I was passing, and then I stopped.  There’s something special I notice about the scene.  I can’t put my finger on exactly what it is that captivates me – the architecture, the light, the viewpoint, but it does.  I have this experience every day with a telephone pole as I walk through the town of Aberystwyth.  Now this in itself might sound ridiculous and you may find yourself asking how can I possibly find beauty in something so…pedestrian? Truth is, I’m not entirely sure.  Each experience I have with the telephone pole is completely unique.  The light is always a little bit different, I’m a little bit different.  But alas, every day in my walk to the library I still stop for a moment.

It’s often remarked by family and friends that I’m extremely observant.  I notice colours in reflections, strange textures in tiles and make shapes in my mind with woodgrain.  I don’t observe everything, but I’m aware that certain things that most would consider unimportant captivate me and wholly capture my attention becoming the most important thing in the world for a fleeting moment.

It’s taken me years of this kind of seeing to bring it to full awareness and begin to realise what it means. I was always under the impression that it was my creative temperament that led to this appreciation of ordinary things, but the more I learn, this seeing is not exclusive to the ‘creatives’ amongst us.  Everyone without limit can find beauty in the banal.

Christophe Andre in his book Mindfulness: 25 Ways To Live In The Moment Through Art uses Gas by Edward Hopper to illustrate this idea of seeing ordinary things.  Hopper was renowned for his oil paintings of American Life that were all simplistic in composition.  Somewhat reluctant to discuss himself and his art, he famously summed up his Art by stating “The whole answer is there on the canvas.”  This feels like an apt statement when weighted with the appreciation for the ordinary.

gasGas, Edward Hopper (1882-1967) 1940, oil on canvas, 66.7 x 102.2m, Museum of Modern Art, New York

Andre suggests that when you begin to look, and really look you become aware of the silly detail of the Pegasus on the sign.  Then you see his three little brothers on the pumps which anchors your attention. You start to assume what could be happening inside the lighted house.  Is there music playing? Where does the darkened road lead to?  How long will it be before the man pictured sees anyone else?  For Hopper to paint this, it must have captivated him.  This moment is completely unique. You stopped because you will never again see what you are seeing now.  In the same way that you will never experience exactly what you are experiencing now.  This is the point – you understand.  This becomes the most important thing in the world – this seeing, this experience, this awareness… and this is living!  You are living life.

cri_000000151386

All too often we find ourselves going through the motions in life. A work/rest alternate.  We absent-mindedly wander through our days, only to get up the next morning to do the same.  We’re programmed on repeat – ‘active but absent.’  Our lives are directed with signposts ‘Look now!, listen now!, taste now!, feel now!’  to ‘carefully delineated moments where we ‘have to’ be enchanted or moved (cinema, theatre, museums and galleries).’  If we allow ourselves to be victims of this signposted and dictated awareness we become robot-like.  This is why moments in appreciating the ‘ordinary’ and ‘normal’ are so vital to enriching our soul. We must appreciate and respect normal things. I agree that is much easier to become aware and mindful in a beautiful landscape but it is true to say that it can happen anywhere and at any time – with a little effort to ‘remain awake and present.’

How do we do this in our daily lives?

I went to grab a coffee yesterday in a busy coffee shop.  While I waited for mine to be made, I watched the barista work efficiently calling out different orders for collection.  After a few minutes she exclaimed “banana latte and a watermelon chocolate!” A woman came and lifted the tray with a quick thank-you but didn’t pull the barista up on her comical drinks.  She looked at me and grinned “I have a theory that if you shout anything, people will come and take whatever is ready.  Last week it was items of clothing, this week it’s fruit.”  I laughed, but after I left with my non-fruit flavoured coffee it really made me think.  People hear but how often do they listen?  We’re always in the doing mode, but we’re not often in the being mode.  Take the painting, how often has people just filled up the tank, paid, left, not experiencing the sights to be seen?  It’s important to practice listening to sounds around you, observing the light, smelling around you, tasting, touching – awakening your senses if you like.  Looking with the eyes of the new-born, as if everything is new.  You’ll be amazed at how much there is to see and sense.  This isn’t robot-like, but it is human being-like.  ‘We must be aware that we are alive. Living in awareness, touched by ordinary things, jostled by normality.  It means being enlightened by the benign and ordinary- dazzled and delighted by life.’

‘Never forget that every mind is shaped by the most ordinary experiences.’ – Paul Valery, Mauvaises Pensees Et Autres

Mindfulness: 25 Ways To Live In The Moment Through Art, Christophe Andre, L’Iconoclaste, Paris, 2011 (p.112-121)

https://en.wikipedia.org/wiki/Edward_Hopper

http://www.moma.org/collection/works/80000

Approaching Happiness

“We enter paradise every second – either that or we leave it.” – Christian Bobin

Turner-Approach-Venice

Joseph Mallord William Turner (British, 1775 – 1851 ), Approach to Venice, 1844, oil on canvas, Andrew W. Mellon Collection

Venice to Turner meant ‘delight.’ A misty city, quasi-visible across the Venetian Lagoon through a golden twilight. John Ruskin, the major art critic who was one of Turner’s few champions later in his career, hailed the canvas as “the most perfectly beautiful piece of colour of all that I have seen produced by human hands.” In the Royal Academy catalogue for 1844, this entry was accompanied by a quotation that Turner himself rewrote from Lord Byron’s poem Childe Harold:

“The moon is up, and yet it is not night,
The sun as yet disputes the day with her.”

This painting is a fleeting moment captured by Turner.  Soon we will be there.  We will be captivated by the sights, smells and the sounds the city has to offer.  The Sun acts as a guiding light, welcoming us.  It illuminates the City with glory, turning the lagoon a golden yellow.  The moon too reminds us of the freshness and urgency of the night.  The golden light will have disappeared by the time we land, and been taken over by the crisp darkness.

I’ve been blessed to see a painting of Turners’ for real.  There’s something about the way he paints that draws emotions from you – it’s mostly not even voluntary.  The canvas becomes an object in which you portray your emotions, hopes, thoughts and experiences onto.  The gesture, colours and light-heartedness are all strong enough to withstand it. You associate your own personal experiences with the subject, making it appear different to each individual. And isn’t that the simplest purpose of Art? That it makes you feel something?

Christophe Andre uses Approach to Venice as an illustration for happiness in his book Mindfulness: 25 Ways To Live In The Moment Through Art.  Approach to Venice is a metaphor in seeing Happiness gently emerging in your life.

Andre suggests that there is no happiness without awareness.  Have you ever found yourself looking back at something in your past and thought about how happy you were but you didn’t realise?  This is something we all fall victim to.  Even just now, I thought about my experience with the Turner painting in the National Gallery and how happy I was to just look and be…and often now I find myself going to extreme lengths restlessly looking for this calm again.  This retrospective happiness is human nature.  As French writer Radiguet writes ‘Happiness, I knew you only by the sound you made as you left.’  Without awareness of the present we long for these past moments of happiness which we didn’t know how to embrace at the time.  This happens when we are too busy…there are simply too many things on our minds to revel in happiness- work,eat,sleep,repeat.  It happens too when we are sad or worried…our minds become uncertain about the future or regrets over the past.  I’ve always admired Turners’ enthusiasm to ‘be’ in the moment and it is something we can learn from.  His drive to capture these transient moments are influential to not only my own painting practice, but my way of living.  I remember reading stories when I was a child of Turner supposedly strapping himself to the mast of ships to experience the moment in later, more stormy work. Even as a child I was inspired by this act of living.

Joseph Mallord William Turner (British, 1775 - 1851 ), Approach to Venice, 1844, oil on canvas, Andrew W. Mellon Collection

How do we become aware then?  If we regularly open our mind, not looking for happiness but just looking, we will see happiness in things.  When I’m sad I force myself to go outside and just look.  It’s not long before I realise beauty in things- it could be something as simple as a tree or a flower.  As Andre puts it, these fleeting moments of happiness in our everyday lives will be ‘slight, brief, imperfect and incomplete, but multiple, changing, alive and constantly renewed.’

Venice mightn’t be as promised – but there are glimpses of happiness to be found in everything.  By being mindful, we can train ourselves to notice everything, pains and pleasures alike.  In times of adversity we should stop and accept snippets of happiness.  It’s a fleeting comfort, but later, we will do it again.  Thus, it becomes an endless cycle.

“We will keep on making misfortune breathe alongside everything that resembles life – in other words, happiness”.

https://www.nga.gov/collection/gallery/gg57/gg57-117.html

Andre, Christophe Mindfulness: 25 Ways To Live In The Moment Through Art, L’Iconoclaste, 2011, 232-238

What we can learn from Chupa Chups

Bizarre title, right?

download

I’m halfway through reading a book called The Art Of Creative Thinking by Rod Judkins. (St. Martins College of Art) Judkins hasn’t so much taught me anything through his clarity of thoughts, but instead has made me realise my make-up if you will.  Creativity isn’t a switch that can be flicked on when you arrive into the studio or grab a pen to write, just in the same way it can be turned off when relaxing in the bath or climbing into bed.  The very crux of creativity is a way of seeing, engaging with and responding to the world around you.  Judkins suggests that creatives are creative when ‘filing documents, cooking, arranging timetables or doing housework.’

We are all guilty of compartmentalising Creativity for as and when it is needed in our daily lives.  It’s exhausting to be alert and responsive all of the time.  I dedicate set time to be creative amidst applying for jobs and working, a routine that’s an unhealthy one. Why? Because I feel most alive when I’m doing something I feel that is worthwhile… and that’s usually creating something.

You may ask, what does Chupa Chups have to do with all this?

This is where Salvador Dali comes in.  Judkins uses him as a perfect example of a ‘switched-on’ creative.  Dali too felt alive with things that he felt were important – devoting his time and energy to a range of projects.

On January 20, 1952, Salvador Dali appeared on American Game Show Whats’ My Line? , in which a panel of four blindfolded celebrity panellists guess the identity of a mystery guest by asking questions that have a ‘yes’ or ‘no’ answer.  Taking almost nine minutes to reveal his identity, the guests become more and more exasperated as Dali answers yes when asked if he was a writer, a leading man, a performer, a sportsman etc. One of the ladies laughs and exclaims ‘There’s nothing this man doesn’t do!’

And that’s exactly the lesson that should be learned here. Throughout his life Dali was a film-maker, a jewellery maker, an architect, a designer, a writer as well as a painter. He needed a house, so he made one – who knows your taste better than yourself?  He created a person – Dali’s Frankenstein – Amanda Lear.  Dali renamed her, made her over and constructed stories about her. His creativity wasn’t under a time constraint, it ran through him.  Dali designed the logo for the Chupa Chups lollipop.  Already having a name for himself as a famous surrealist artist and a place amongst treasured Artists in the Canon of Art History, it wasn’t necessary for him to design for confectionery.  He was open-minded and it to him it mattered, so he did it.  Not everything he turned his hand to was successful, and some endeavours are more celebrated than others, but what matters is the willingness to try.  Dali didn’t attempt to turn the creative ‘switch’ on and off.  Instead, he embraced it and is Internationally respected as a result.  His creativity went far beyond his surrealist Paintings that he is most renowned for, and when you delve a little deeper you can discover a man that breathed creativity, not confined it.

His attitude is something we can all learn a little from.

Judkins, Rod, The Art of Creative Thinking, Sceptre Books, 2015

https://www.youtube.com/watch?v=iXT2E9Ccc8A – Salvador Dali appearing on ‘Whats My Line’