Observation of the Welsh Landscape begins to take form into a Painting that balances somewhere between the realms of figuration and abstraction.
I start off with small thumbnail sketches through direct observation and then work them into a composition. What happens from there is a response process. I begin to layer paint and just respond to the colours, marks and forms that have went before. The way I paint relies heavily on intuition, and there are times that I have to just trust in my process. This then creates a kind of constructed experimental landscape, that’s organic and natural. I try to keep things gestural and expressive, to convey and essence of the landscape as well as translate the transient, fleeting nature of creation.
Untitled ll, acrylic on canvas, 6ft x 3.2ft, £210
(see Paintings section for more info as well as other works)
“If you hear a voice within you say ‘you cannot paint,’ then by all means paint, and that voice will be silenced.” -Vincent Van Gogh
These three Aerial View Paintings marked the peak of my Undergraduate degree in Fine Art Painting at Aberystwyth University. Throughout my Three years in Aberystwyth, I had been heavily inspired by the rugged Welsh landscape, and found a love for cartography in my second year of study. Moving away from Map work, the concept of the Aerial View stayed an important influence. Being from Ireland, I always loved flying back and forth to see the land from above. I was fixated with the natural forms, lines and colours of the land and how from above the earth looked like some kind of abstract painting. I began painting instinctive and gestural Aerial landscapes which were a direct response to my experience of flying and the earth from above.
However, at the end of my Undergraduate degree, and embarking on my Masters, I strived to move away from the Aerial View, with the idea of beginning to incorporate the skyline back into my works. I still was interested in forms, and experience of being in the landscape, but just didn’t have such a specific ‘category’ as such for my paintings. I was excited to begin experimenting in my Masters degree, unsure of the outcome, but relying on the process rather than the end product.