Observation of the Welsh Landscape begins to take form into a Painting that balances somewhere between the realms of figuration and abstraction.
I start off with small thumbnail sketches through direct observation and then work them into a composition. What happens from there is a response process. I begin to layer paint and just respond to the colours, marks and forms that have went before. The way I paint relies heavily on intuition, and there are times that I have to just trust in my process. This then creates a kind of constructed experimental landscape, that’s organic and natural. I try to keep things gestural and expressive, to convey and essence of the landscape as well as translate the transient, fleeting nature of creation.
(see Paintings section for more info as well as other works)
“If you hear a voice within you say ‘you cannot paint,’ then by all means paint, and that voice will be silenced.” -Vincent Van Gogh
Is this seat pictured above the best in Wales? Stunning views are featured at this Red Kite Bird Reserve, called Nant-Y-Arian just outside Aberystwyth, Ponterwyd in Wales. I took a trip down here with my friends at the beginning of November 2013 as it’s a spot we always escape from the small town life that Aberystwyth has to offer.
We followed one of the trails, and found this seat, where I sat for approx. 40mins just looking. I took a few photographs to document the type of day it was, but there are very few times where I remember being so stopped in my tracks by the beauty of the land around me. The transience of the landscape, and the fleeting nature of it was very apparent to me that day, and I felt inspired to paint.
The next day, I began to paint a direct reaction to the landscape I had just seen and that was so fresh in my mind. From photographs and a few small thumbnail sketches to work from, I relied heavily on my instinct, intuition and memory. I adjusted and readjusted previous marks, responding to colour, form and what was left from before to build a constructed and experimental landscape. I wasn’t interested in achieving a direct representation, but rather an impressionistic interpretation. I was chasing the ‘essence’ of the landscape. I wanted to portray how the landscape made me feel, I tried to keep it light, vivid and full of life.
My coursemate Kristy had a turn at reacting to marks that I had placed on the canvas. The result is a moody, landscape-esque type of painting. It balances somewhere precariously between figuration and abstraction.
Falling in love with paint all over again!